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The Solfeggio: New Bible Codes Reveal Powerful New Musical Scale   by Stephanie Relfe B.Sc. (Sydney)

In 1999 my husband and I were living in Dallas Texas. By chance we decided to attend a small Body, Mind and Spirit exhibition. There wasn’t much of interest until we attended an incredible lecture by Dr Len Horowitz.

His talk was so good that we decided to attend the evening lecture he gave that night. At that lecture we learned about newly discovered secret codes in the bible. These codes produce a brand new type of music which uplifts people spiritually and is related to the physics of creation. They were discovered by Dr Puleo who was guided to discover these codes through visions from Jesus Christ. The new bible codes, found in the Book of Numbers, include a mathematical electromagnetic frequency code for “miracles” that experts say has already been shown to help repair damaged DNA, the genetic blueprint of life.

These bible codes are totally different from any previously written about, and certainly don’t need a computer to decode them (as previously discovered codes were supposed to).

According to the documentation and analyses provided in “Healing Codes for the Biological Apocalypse” principal investigator Dr. Joseph Puleo was intuitively guided to find the pattern of six repeating codes in the Book of Numbers, Chapter 7, verses 12 through 83. When deciphered using the ancient Pythagorean method of reducing the verse numbers to their single digit integers, the codes revealed a series of six electromagnetic sound frequencies that correspond to the six missing tones of the ancient Solfeggio scale.

These original sound frequencies were apparently used in the great hymn to St. John the Baptist that, along with many Gregorian chants, were lost centuries ago according to church officials. The chants and their special tones were believed to impart special spiritual blessings when sung in harmony.

Dr. Puleo, a naturopathic physician and minister of the gospel, and lead author, Dr. Leonard Horowitz-who holds a masters degree in public health from Harvard-spent three years researching the six tones that physicists and musicians alike recognize as “an extremely unique interrelated series of mathematical and electromagnetic sound frequencies that include harmonic sequences similar to those found in the ‘wedding march.’” Additionally, the entire series appears to relate to the “144,000″ predicted in the Book of Revelation to be gathered by God to sing a special song heralding the Messianic age.

The authors speculate that these six tones may have been played by the ancient priests during the miraculous shattering of Jericho’s great wall in six days before falling on the seventh, and the creation of the universe in six days after which God is believed to have rested on the seventh. Bible scholars believe both events occurred as a result of sounds being spoken or played.

“I was intrigued when Dr. Horowitz first described the Bible frequencies,” said Dr. Lee Lorenzen, a world renowned biochemist working with water crystallization methods to rejuvenate DNA. “The ’528′ frequency is well known to scientists working on DNA repair,” he continued. “After studying the healing fountains of the world we decided to add that frequency to a Clustered Water(TM) preparation we recently patented. We believe it may be beneficial in delaying aging processes.”

“I was spiritually guided to move to northern Idaho to meet and work with Dr. Puleo,” Dr. Horowitz said. “I had prayed for a breakthrough on the level that Dr. Puleo was blessed to find. I simply became the communicator for Joey to reveal some of God’s most special secrets.” Likewise, Dr. Puleo explained, “I specifically prayed to meet Dr. Horowitz after I viewed his lecture video. I needed someone who could write and communicate this knowledge. About a month later, Dr. Horowitz showed up at my door.”

Originally, Dr Puleo wanted to write under the pseudonym “Dr Barber”, despite being warned that it would be safer to use his real name. However, after an attempt was made on his life he changed his name into the second publication to his real name of Puleo. Neighbours witnessed two men in black outside Puleo’s house aim a lazer gun through Puleo’s kitchen window. However, God protects his people. The lazer should have given Puleo a heart attack (at least). But at that moment he raised a glass bottle full of olive oil. The lazer went through the bottle and knocked Puleo over, but enough of the blast was absorbed by the olive oil bottle to save him.

Other attempts have been made on Dr Puleo’s life. These attempts help to confirm the power in these bible codes.

I saw photos of this bottle when my husband and I visited Dr Puleo. The photo clearly showed the weird shaped hole in it. We felt the story was totally true. The bottle itself is in safekeeping.

I had the above information on my website for about a year, when on July 20 2003 I felt guided to put all the information about the different tones on my site as well. This information is on pages 166 & 167 of the “Healing Codes for the Biological Apocalypse”.

That was when things got weird. My husband Michael went to scan the pages for me. Nothing happened. All that came through was a blue screen with no words on it. This does not normally happen. He tried to scan a normal page from another book. It scanned perfectly. He alternated back and forth about eight times. Each time the pages from The Biological Apocalypse would be jammed, but pages from anything else scanned perfectly. Michael even tried to scan the front page of The Biological Apocalypse. Again, it wouldn’t scan. It became obvious to us that something energetic had been done to this book, and that someone on the dark side did not want this information published. I realised that I would have to type the pages manually.

That there is MUCH more to these frequencies than we now know, is shown from the following story in the book on page 70. Someone among “The Powers that Be” apparently does not want this information given to the public: Dr Puleo (Joey) was researching the tones, trying to find out what they meant:

“So Joey asked around for leads. Soon a friend directed him to a university, in Spokane, WA, where a monsignor became his contact. The clergyman was head of the Mediaeval department. “He knew all about the ‘organs of Corti’, Solfeggio, Guido of Arezzo, and the whole thing.” Joey recalled.

Following twenty minutes on the telephone with the man, he asked Joey, “It’s wonderful to speak to you, my son, but what exactly is that I can do for you?”

“Can you decipher Mediaeval Latin, Monsignor?”

“Absolutely!”

“And you know the musical scale and everything?”

“Absolutely!”

“Well then could you tell me what ‘Ut-queant laxis’ means?’

After a brief pause the Monsignor quipped, “It’s none of your business.” Then he hung up.

Weeks later, the Spokane librarian who had (been searching for information for Joey on these notes, with regards to Mediaeval Latin) called him back. “I didn’t forget you,” she said. “I tried to find out more on the subject. Some people I contacted told me to drop it, to just forget it!”

“Are you serious?”

“Yes,” she replied. “I’m very serious.”

Following are the details on the new musical scale:

Evolution of the Gregorian Musical “Solfeggio” (Scale) form Initially Six (6) Notes

The Original Solfeggio

1. Ut – queant laxis
2. Re – sonare fibris
3. Mi – ra gestorum
4. Fa – muli tuorum
5. Sol – ve polluti
6. La -0 biireatum

The Current Modified Solfeggio

1. Do – queant laxis
2. Re – sonare fibris
3. Mi – ra gestorum
4. Fa – muli tuorum
5. Sol – ve polluti
6. La – biireatum
7. TI – Sancto Iohannes

(From Page 177 of “Healing Codes for the Biological Apocalypse”: Fig 5.6):

The Secret Solfeggio Frequencies: Sound Vibration Rates for Creation and Destruction:

1. Ut = 396 = 9

2. Re = 417 = 3

3. Mi = 528 = 6

4. Fa = 639 = 9

5. Sol = 741 = 3

6. La = 852 = 6

(From Pages 166 & 167):

Definitions of Tones in the Latin Solfeggio Including “Hidden Entries” From Webster’s Dictionary

Note 1: There are typos on this page. Most of them come from the book, as I typed it exactly as in the book, as best as I was able.

Note 2: Emphasis added by italics in each definition denotes special relevance to the book.

UT-quent laxis

1. a syllable used for the first note in the diatonic scale in an early solminzation system and later replaced by do. 2. the syllable sung to this note in a medieval hymn to St. John the Baptist. <Gk. -Gamut- 1. the entire scale or range; the Gamut of dramatic emotion from grief to joy. 2. the whole series of recognized musical notes [1425-75]; late ME (Middle English)><ML (Medieval Latin)-contraction, of Gamma, used to represent the first lowest tone of (G) in the Medieval Scale Ut, Re, Mi, Fa, So, La, Si. <Gk – Gamma- 1. the third letter of the Greek alphabet. 2. the third in a series of items. 3. a star that is usually the third brightest in a constellation. 4. a unit of weight equal to one microgram. 5. a unit of magnetic field strength equal to 10 to the fifth power gauss. (quent: needing), (laxis: loose; axis-an affiliation of two or more nations. Also Axis Powers.)

RE-sonare fibris (Res-o-nance)

1 a: the state of quality of being resonant. b(1) a vibration of large amplitude in a mechanical or electrical system caused by a relatively small periodic stimulus of the same or nearly the same period as the natural vibration period of the system 2. the prolongation of sound by reflection; reverberation. 3a. Amplification of a source of speech sounds, esp. of phonation, by sympathic vibration of the air, eesp. in the cavities of the mouth, nose and pharynx. b. a characteristic quality of a particular voice speech sound imparted by the distribution of amplitudes among the cavities of the head, chest, and throat. 4a. a larger than normal vibration produced in response to a stimulus whose frequency is close to the natural frequency of the vibrating system, as an electrical circuit, in which a value much larger than average is maintained for a given frequency. 5a. a quality of enriched significance, profundity, or allusiveness; a poem has a resonance beyond its surface meaning. 6. the chemical phenomenon in which the arrangements of the valance electrons of a molecule changes back and forth between two or more states. (in percussing for diagnostic purposes) a sound produced when air is present [1485-95]; <MF (Middle French), <L Resonantia, Echo=Reson (are) to resound + Antia-ance. (Re-a prefix, occurring orig. in loan words from Latin, use to form verbs denoting action in a backward direction, Action in answer to or intended to undo a situation, or that performance of the new action brings back an earlier state of affairs. (fibris: fibre string, vocal cord.)

MI-ra gestorum (Miracle)

1. an extraordinary occurrence that surpasses all known human powers or natural forces and is ascribed to a divine or supernatural cause esp. to God. 2. a superb or surpassing example of something; wonder, marvel {1125-75}, ME<L Miraculum=Mira(Ri) to wonder at. fr (French): sighting, aiming to hold against the light. (gestorum: gesture; movements to express thought, emotion, any action, communication, etc. intended for effect.)

FA-muli tuorum (Famuls.)

… plural Famuli, 1a. servant/s, or attendant/s, esp. of a scholar or a magician [1830 - 40<L (Latin), servant, of family. (Tourum - quorum - 1. the number of members of a group required to be present to transact business or carry out an activity legally. usu. a majority. 2. a particularly chosen group. [1425-75;<L quorum of whom; from a use of the word in commissions written in Latin specifying a quorum.)

SO-lve polluti (So-lve')

1. to find the answer or explanation for; clear-up; explain; to solve a mystery or puzzle, to work out the answer or solution to (a mathematical problem.) [1400-50, Late ME<L Solvere to loosen, release dissolve=so-var, after velarl, of se-set-luere to wash; (see Ablution.) Ablution n. 1. a cleansing with water or other liquid, esp. as a religious ritual. [1350-1400]. (Pollutii-pollute-luted, 1. to make foul or unclean,)

LA-bii reatum (Labi-al)

1. of pertaining to or resembling a Labium. 2. of pertaining to the lips, 3. (of a speech sound) articulated using one of both lips. 4. of or designating the surface of a tooth facing the lips. 5. the labial speech sound, esp. consonant, [1585-95]; ML lingual. (reatum – reaction – 1. a reverse movement or tendency; an action in a reverse direction or manner. 2. a movement toward extreme political conservatism; 3. a desire to return to an earlier system or order. 3. action in response to some influence, event etc.; 4. a physiological response to an action or condition. b. a physiological change indicating sensitivity to a foreign matter.) 6. mech. the instantaneous response of a system to an applied force, manifested as the exertion of a force equal in magnitude, but opposite in direction, to the applied force [1635-45].

SI (Sancte Johannes)

1. a person of exceptional holiness, formally recognized by the Christian Church esp. by Canonization. 2. a person of great virtue or benevolence. 3. a founder or patron, as of a movement. 4. a member of any various Christian groups. 5. to acknowledge as a Saint. Canonize [1150-1200]; ME Seinte. Canon: 1. an ecclesiastical rule or law enacted by a council or other competent authority and, in the Roman Catholic Church, approved by the Pope. 3. a body of rules, principles, or standards accepted as axiomatic and universally binding, esp. in a field of study of art. 6. any officially recognized set of sacred books. 10. the part of the mass between Sanctus and the communion. 11. consistent, note-for-note imitation of one melodic line by another, in which the second line starts after the first. (axiomatic). 1. pertaining to or of the nature of an axiom; self-evident. 2. a universally accepted principle or rule. 3. a proposition in logic or mathematics that is assumed without proof for the sake of studying consequences that follow from it.

Reference: “Healing Codes for the Biological Apocalypse” by Dr Len Horowitz

Copyright ©: Stephanie Relfe – 2006

Permission is granted to use this article in whole or part if you acknowledge the author and quote and link to http://www.relfe.com

About the Author

Stephanie Relfe was born in Sydney Australia. She now lives in the USA with her husband and son. She graduated with a Bachelor of Science degree from Sydney University. She is a professional kinesiologist and the webmaster of “Health, Wealth & Happiness” at http://www.relfe.com, a website which provides valuable natural health, mind, spirit, financial and other information unifying the whole, rather than educating a part of the whole.
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